![]() ![]() It would be possible that the model was using a fake pearl made of glass, a technique commonly used in Italy to mimic the appearance of natural pearls in the seventeenth century. Pearls are usually depicted in the works of Vermeer, but none have a size as unique as this. Regarding the identity of the girl, a subject also very controversial, due to the absence of symbolic content, it can be concluded that it does not represent an allegory.īecause it doesn’t portrays an environment, or identified person, it can’t be said that we are observing a portrait.īut it is believed that it would be a tronie, a subcategory of portraits where the object portrayed is not a real person, but a figure imagined by the artist, idealized figures, or have exaggerated characteristics or expressions. Residing on this topic contradictory ideas about the positioning of the model. In contrast to these assumptions some say that the girl seems to be posing. Some say that the girl looks responding to a call, others think she was surprised. In addition to the composition and light of the canvas, the girl’s appearance and identity are much discussed themes. On the occasion of the same restoration was removed yellowish varnish from the canvas, making the tones more alive. The restoration of girl with a pearl earringĪs we get closer to the painting we can see some cracks in the surface of the canvas, after the restoration made in 1994, it was impossible to repair the craquelures. The brushstrokes almost devoid of texture, the soft colors, the lightness and softness applied to the object portrayed are typical of the artist. Having been called the “master of light”. The light is diffused, but has clear orientation from the upper left to the right of the canvas, light is the central theme in the works of Vermeer. Its contour is made by the contrast between the tones that the objects assume in relation to the light, dispensing lines. Its composition is based on diagonal lines that generate a lateral movement centered on the axis of the girl, despite having asymmetrical lines there is a sense of balance and space compensation. The name of this work until the 50’s was Young girl or Turban Girl, only becoming later Girl with Pearl Earring. She is positioned with her body turned away from the observer, while her face is turned over her shoulder looking directly at the observer, her eyes are of such spectacular size and clarity, her lips parted, reddish, express intimacy and sensuality. The cut of the paint is located at the top of the torso, like a bust. ![]() The girl is wearing an extraordinarily large pearl earring and the material and colors of her robes appear to be precious. It portrays a scene in an indoor environment, a girl in exotic clothes on a dark background. The girl with a pearl earring is a striking painting. Its dimensions are 44.5 cm high by 39 cm wide, relatively small compared to its international fame. The work is signed, but not dated, believed to have been produced in 1665 in Delft, The Netherlands. Get to know Johannes Vermeer in the post “ Vermeer and the intense beauty of daily life“. The girl with a pearl earring is the most emblematic work of Johannes Vermeer.
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